Ink Well

Ink Well is a collaborative online showcase for emerging talent in art, creative writing, and photography organized around a central theme. We review year-round and publish six volumes a year, interspersed with other artsy fartsy content. Creative types, unite.

Now accepting submissions for VOLUME 14: POWER & CORRUPTION at submissions@inkwellmag.com.

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The most beautiful people we have known are those who have known defeat, known suffering, known struggle, known loss, and have found their way out of the depths. These persons have an appreciation, a sensitivity, and an understanding of life that fills them with compassion, gentleness, and a deep loving concern. Beautiful people do not just happen.

Elisabeth Kübler-Ross (via scribnerbooks)

This.

57thstreetbooks:

millionsmillions:

Ah, the life of a writer. (via the PEN/Faulkner Foundation)

I just LOL’d

There is consternation at Wikipedia over the discovery that hundreds of novelists who happen to be female were being systematically removed from the category “American novelists” and assigned to the category “American women novelists.”

[…]

The debate that broke out when Filipacchi’s opinion piece appeared is still running, and the issue appears to be more general and pervasive than most had originally thought. Throughout Wikipedia, in all kinds of categories, women and people of nonwhite ethnicities are assigned only to their subcategories. Maya Angelou is in African-American writers, African-American women poets, and American women poets, but not American poets or American writers. Many editors are saying that people need to be “bubbled up” to their parent categories.

James Gleick weighs in on the recent kerfuffle over Wikipedia’s sexism toward female novelists.  (via explore-blog)

(via explore-blog)

poetrysince1912:

—Terrance Hayes, Poetry, March 2008

Poem In Your Pocket Day has arrived! What poem do you have for your pocket? Find one here.

120 Seconds With…Cali Chesterman

Cali is the author of “Two-Millionths Sneeze”.

  • Day job: High school senior.
  • 3 favorite authors: Cassandra Clare, Charles Bukowski, Augusten Burroughs.
  • 3 artists you most admire: Artemesia Gentileschi, Henry Asencio, Henri Matisse.
  • How do you get going with your work?: Either to pass time on the bus or procrastinating an assignment.
  • If we googled your name, what would we find?: An organization I volunteered for once, the online copy of my school’s cultural newsletter that I write articles for and profusely advertise, my name listed under “Honorable Mention” for pieces I had submitted to the Scholastic Art and Writing Competition.
  • What’s your favorite way to waste time at work without getting caught? Daydreaming or conversing with friends… I don’t really waste a lot of time. I take my work very seriously. 
  • Name two words you always misspell: Definitely and conundrum.
  • What’s the last song to get stuck in your head? “You Know I’m No Good” Amy Winehouse Ft. Ghostface Killah.
  • What’s a movie you can rewatch or a book you can reread over and over again? Forrest Gump.
  • Describe your dream workspace/studio: Near Center City, where there is a lot of hustle and bustle, cultural crossovers, varying age groups, and history, all in one convenient location. I need culture and chaos in order to flourish in art and writing. Ideally, my inner studio/ workspace will have three rooms, all with wooden floors. One room will be my living space, complete with a cabinet full of candy. One room, the largest, will be my workspace, with my desk and computer set up on one side of the room and artworks in progress on the other side. A huge stereo system will be in the middle of the rooms. There will be a few windows for ventilation and lighting, but that’s it. The third room will be a storage space.

Vol. 13 MOMENTUM: Cali Chesterman - “Two-Millionths Sneeze”

“It is about two friends who are in some unspoken, petty argument. It relates to the theme of momentum because there is a need to move on: either the friend can apologize to mend the friendship or they both go on to see new, unplagued people.”—Cali

***

You sneezed and filled my head with a thousand pictures. A picture is worth a thousand words, so a sneeze must be worth a million.

The point is, I don’t want your sickness anymore, your lack of self-control to PLEASE cover your nose or at the VERY least bring with you a goddamned box of tissues, it’s an issue when your runny nose drips onto that doorknob, the one I gripped just yesterday so it didn’t hit this sultry lady’s heels.

Those fine, red heels.

 Now she has it too, the flu. All thanks to, well, me. See I too am plagued by your friendship, it’s difficult to quarantine myself from a commitment built over ten whole years, a commitment you had “accidently” forgotten, so willingly threw away, just like that tissue you never seemed to get hold of.

And what am I to do? Perhaps I could be like you, abandon everything. I’d rather follow this sultry lady with red heels, I trust that when she gets sick her sneezes aren’t so carelessly lethal, that she keeps them calm and contained and somewhat friendly.

Or maybe you could swallow your pride like that glob of phlegm that just made its way down your throat and utter the two millionths of a sneeze we need to repair our friendship:

 I’m sorry.

__________________________________________________________________________

Cali Chesterman, a senior at Central High School in Philadelphia, spends her time people watching. These mundane observations develop into fictional characters that she uses in art, writing, and film projects. She plans to study digital animation in college.

amandaonwriting:

Literary Birthday - 10 April

Happy Birthday, Paul Theroux, born 10 April 1941

12 Paul Theroux Quotes

  1. Fiction gives us a second chance that life denies us.
  2. I can’t predict how reading habits will change. But I will say that the greatest loss is the paper archive - no more a great stack of manuscripts, letters, and notebooks from a writer’s life, but only a tiny pile of disks, little plastic cookies where once were calligraphic marvels.
  3. Mark Twain was a great traveler and he wrote three or four great travel books. I wouldn’t say that I’m a travel novelist but rather a novelist who travels - and who uses travel as a background for finding stories of places.
  4. Many aspects of the writing life have changed since I published my first book, in the 1960s. It is more corporate, more driven by profits and marketing, and generally less congenial - but my day is the same: get out of bed, procrastinate, sit down at my desk, try to write something.
  5. Reading alters the appearance of a book. Once it has been read, it never looks the same again, and people leave their individual imprint on a book they have read. Once of the pleasures of reading is seeing this alteration on the pages, and the way, by reading it, you have made the book yours.
  6. The more you write, the more you’re capable of writing.
  7. I know there are writers who feel unhappy with domesticity and who even manufacture domestic turmoil in order to have something to write about. With me, though, the happier I feel, the better I write.
  8. A novel captures essence that is not possible in any other form.
  9. Fiction writing, and the reading of it, and book buying, have always been the activities of a tiny minority of people, even in the most-literate societies.
  10. I’m constantly running across people who have never heard of books I think they should read.
  11. You can’t write about a friend, you can only write about a former friend.
  12. Writing is pretty crummy on the nerves.

Theroux is an American travel writer and novelist. The Great Railway Bazaar is his most famous work of non-fiction. He is best known for his novel The Mosquito CoastHe is the father of British authors and documentary makers Louis Theroux and Marcel Theroux.

by Amanda Patterson for Writers Write

penamerican:

2001 US Poet Laureate and longtime PEN Member Billy Collins interviewed by The Cortland Review’s Ginger Murchison at this year’s Palm Beach Poetry Festival. 

Happy Poetry Month!

One must be drenched in words, literally soaked in them, to have the right ones form themselves into the proper pattern at the right moment.

Hart Crane

(via thatawkwardwritingmoment)

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